Albuquerque Fresco - Buon Fresco Painting

The Albuquerque Fresco by Ilia Anossov is a paradigm of a brilliant modern fresco. Its technique is on the Grande scale. Viewing it is reminiscent of watching a gigantic film, for this fresco incorporates not only cinematic techniques, and reminders of the most brilliant art, but also resounds of the painting of late modern artists with a flair for whimsy, like Jean Miro, and Paul Klee. At the same time there are images and techniques which evoke paintings of early masters.
It is as though the fresco artists have honed a living and breathing creature Fresco is public art rather than "elite" art. It is also a common effort of the artist, plasterer and others involved in the process. Frescoes created for all people to see and enjoy, and do not require extensive education to understand and analyze their significance. Granted there will always be scholars and art critics who take apart every art work, but frescos are made for the collective enjoyment. Frescos depict the most cherished cultural aspects of any civilization in their attitudes.

Dolphin Fresco Part 2

The composition is fitting as the house is so close to the Pacific Ocean that an open window provides the viewer with the sound of crashing waves. The blue sky and intense blue-green ocean of the background in this composition complements the color scheme of the rest of the bathroom which incorporates light hues of green and blue and the stark white of fine marble.
Category: Education

Dolphin Fresco Part 2

The composition is fitting as the house is so close to the Pacific Ocean that an open window provides the viewer with the sound of crashing waves. The blue sky and intense blue-green ocean of the background in this composition complements the color scheme of the rest of the bathroom which incorporates light hues of green and blue and the stark white of fine marble.
Category: Education

Dolphin Fresco Part 1

Dolphin Fresco, a buon (true) fresco by iLia Anossov (fresco). An "ansamble" of classic fresco technique Pompeian plaster methods and mild influence of art deco. The foam on the waters surface seems to reference the dramatic movement of water in The Big Wave by Japanese artist Hokusai Katsuchika. A boarder of geometric spirals seems to echo the shapes of the walls below and adds a Mediterranean touch to the work. Presented by www.FrescoSchool.org

Fresco Plastering Tools, Materials, Containers and Support

updated video with beter version

Fresco Plastering Tools, Materials, Containers and Support

Detailed video description of tools, materials, containers and plaster support for fresco plastering from the fresco school.

Making Practice Lime Putty for Fresco

Updated the "Making Practice Lime Putty for Fresco - how to" video with better version

Art stirs debate - the color of Jesus.

Biola mural said to be offensive to some
By Sandra T. Molina, Staff Writer


ART: Students walk past the 40-foot-tall mural of Jesus at Biola University in La Mirada on Thursday May 15, 2008. The planned refurbishing of a 40-foot mural of Jesus, called "The Word" has reignited a controversy on campus. Some say it should be allowed to fade away out of existence, while others say the artwork should be preserved. (Staff Photo by Keith Durflinger)

LA MIRADA - In the 18 years since a prominent Los Angeles muralist painted it, the 40-foot depiction of Jesus Christ on a Biola University building has sparked controversy.

Students of color say they are offended by Jesus being portrayed as white.

The latest round in the controversy began earlier this month when university officials began considering to refurbish the mural, titled "The Word."

Biola officials decided Thursday to delay a decision on restoring the mural for a year.

"I met with the president (Barry Corey), and we decided to put the matter on hold to extend discussions throughout the Biola community," said Provost Gary Miller.


full article at: http://www.whittierdailynews.com/news/ci_9289873

Fresco Painting Introduction (What is Fresco?)

In it's essence, fresco or fresco painting is an - application of natural mineral pigments to a surface on which a following chemical reaction takes place:

Ca(OH)2(s) + CO2(g) ----> CaCO3(s) + H2O(l)

Calcium Hydrate (burned lime stone or marble mixed with water) combined with carbon dioxide resulting in the formation of Calcium Carbonate - lime stone, marble. It is like "Painting with molten Marble".

Those elements naturally surround mankind from the beginning of time. Calcium Hydrate - moist lime stone walls of the caves at first and plaster walls and ceilings of the buildings later. Paints prepared from natural pigments made of minerals, earth oxides and clays and mixed with water. Painting in Fresco results in a painting being a part of the newly formed stone/wall rather than being a "film on a surface".

This fact makes fresco the only pure "organic" or "green" method of painting - no solvents, glues or man-made materials are used. It is also most permanent method of painting which will not fade, flake off, etc. The aged crumbling look of old frescoes is a result of the damage to the wall surface, not the painting. Recently cleaned frescoes by Michelangelo in the Sistine Chapel are the great example of the permanence of the medium.

Fresco painting is a direct product of the desire of our species to communicate by visual means when the “words are not enough or do not yet exist” and a desire to "leave a mark". A "Primal Graffitti" of our ancestors (wall paintings in Neolithic limestone caves) that have evolved into the Grand medium of the Empires and Nations. With earliest known examples from over 40,000 ago, fresco painting is the most practiced method of painting present in every culture and utilized by every known civilization for decorating of the most treasured environments, palaces, public places.

It is said that fresco painting is the logical link between architecture and decoration. During the Renaissance Fresco was regarded to as "The Mother of All Arts" this statement is as relevant today as it was then. Every culture and it's painting in particular is greatly influenced by fresco. Prior to "printing age" public buildings and common places, decorated with the wall paintings (frescoes), were the only sources from which people and artists specifically could learn about current painting techniques and styles as well as about the art techniques of the past - unearthed painting of Pompeii that survived centuries underground due to being true frescoes is just one example of that.

Visual reference provided by Frescoes led to overall development and refinement of the painting, drawing and composition techniques themselves. The magnificent frescoes of the Renaissance are the great example of the levels to which fresco painting has enabled artists to refine the art of painting. In fresco the artist has relatively short period of time to complete the painting while the chemical reaction is taking place, which is generally 6-12 hours (large works are done in sections proportionate to the area that can be completed in a day).

Fresco is a challenging medium - it does not allow for errors or corrections which require adequate level of the artistic and technical skill. Due to this fact paintings done in fresco are mainly created by the most significant artists of the time and consequently found in the most treasured environments. Being present in our lives from "the beginning of time" fresco paintings became the most recognized works of art throughout the world. Every culture and every nation does identify with the monuments of the past as their cultural roots. If the monument carries a painting it is most likely a fresco simply because that will be almost a requirement to last through the centuries or millennia.

http://www.FrescoSchool.org